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) and why the ghosts of past heartbreak can serve as fresh inspiration even when their present life is entirely drama-free...
Share on Tumblr Interview by Tom Lanham A word of warning for any fans of folk-rocking Canadian kittens Tegan and Sara—nothing in their moody, ethereal catalog will prepare you for their upcoming seventh set . For starters, the 32-year-old Quin twins set aside their customary acoustic guitars for this 10-song, Greg Kurstin/Mike Elizondo-produced experiment, and switched to mostly keyboards and self-programmed synthesizers instead.
" I kept thinking that the worst thing in the world was imagining this person being with somebody else, and leaving some kind of evidence behind for the other person to sort of romanticize. I wanted this record to be the kind that you would put on at a party, the kind of record you would love to hear at a festival.
So it’s weird to be in a relationship and you’re totally happy, but you’re like, "You know, loving you has made me incredibly fearful, and all I can think about is when you’ll inevitably hurt me." I was completely transfixed on how it would end, and how it would be really terrible. I think in the past, we’ve been very happy with the idea that our music was something you listened to alone, or something that you listened before you went to bed, or something that sounded best on headphones.
thinking to herself, "What the hell are you talking about? " So there’s a little bit of fiction in it, in that it’s not something that was happening in my life at that moment. And I also remember when I was just getting into the relationship that I’m in now, I was feeling panicked, because it had been years since I’d been in a serious relationship.But for me, I was actually in the middle of going through substantial changes and experiences.It was a little too real, and it was too hard to watch people singing along and enjoying this performance when I was like, ‘Actually, I really hate this.'” “, their fifth album.But if you want it to be a pop song, and you want it to be heard by more people than ever before, we’re gonna have to take some chances with the production, and we’re gonna push this song into a completely different emotional place." And on our last couple of records (), I probably would’ve said, "Absolutely not. Let’s blast it off into space—whatever we need to do, let’s do it!That’s not what the song is about, so it needs to be preserved and protected." But with Greg, I didn’t feel any of those hesitations. " And we’re very cognizant of the ‘80s influence that probably happened very early on in our development, when we were kids.So for the first time in our career, we really were saying, "Yeah, this music is still as dark and depressing as ever." But it’s the kind of dark and depressing that makes you want to dance., we were asking a lot of the same questions to a lot of different producers, and when we sat down with Greg Kurstin, his answers excited me the most.Because I didn’t want someone who was gonna come in and try and protect what we had done in the past or say "Well, this is how people know you, so you need to have a guitar in this song." I wanted someone like him, who said, "That’s a beautiful song, and it could go in a lot of different directions.But what I find so fascinating is, we’ll be hanging out with somebody who doesn’t know the story of Tegan and her girlfriend, and she will tell it as if it’s just happened.And she will tell the sad parts, and when you get to the point in the story where they finally get together, you really don’t see it coming, because she will drag out the beginnings of that relationship—and how tough it was, and how sad she was—as if it was yesterday.And I was feeling jealous and insecure, like "What if they were to leave me for somebody else?Or what if the same thing happened to me that the last person I dated did to me? But in terms of the melodies and instrumentation, we really wanted something that was upbeat.