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Initially, it was just one of the many dances, but it soon became popular throughout society, as theatres and street barrel organs spread it from the suburbs to the working-class slums, which were packed with hundreds of thousands of European immigrants.
In the early years of the 20th century, dancers and orchestras from Buenos Aires travelled to Europe, and the first European tango craze took place in Paris, soon followed by London, Berlin, and other capitals.
Different styles of tango are: The milonguero style is characterized by a very close embrace, small steps, and syncopated rhythmic footwork.
It is based on the petitero or caquero style of the crowded downtown clubs of the 1950s.
Tango canyengue uses body dissociation for the leading, walking with firm ground contact, and a permanent combination of on- and off-beat rhythm.
In this case the embrace may be allowed to open briefly, to permit execution of the complex footwork.
It is one of the original roots styles of tango and contains all fundamental elements of traditional Tango from the River Plate region (Uruguay and Argentina).
In tango canyengue the dancers share one axis, dance in a closed embrace, and with the legs relaxed and slightly bent.
Towards the end of 1913 it hit New York City in the US, and Finland.
In the US, around 1911, the word "tango" was often applied to dances in a rhythm such as the one-step.